Hayat Gul, Pakistan/Canada/US. Al Mussawir, 2009, mirror, glass and mixed media on canvas. An example of a modern interpretation of calligraphy.
Going to the page linked to the image I came across Muslima: Muslim Women Art & Voices. The art posted on this brief page was breath-taking. I really enjoyed all of it. Following are a few of the pieces shown on the page.
Sana Naveed, Canada. The Maze of the Verses of Sincerity, 2010, Acrylic and soot ink on tea dyed paper. “Say: He is Allah, the One and Only! Allah, the Eternal, Absolute; He begetteth not nor is He begotten. And there is none like unto Him.” Written in Kufic style, originally designed for a book cover of the tafsir (exegesis) of Surah Ikhlas or Chapter of Sincerity. An example of a fusion of classical calligraphy and a modern approach to ornamentation.
Elvira Bojadzic, Bosnia. From the Harf series I, 2000, acrylic on paper. A vivid, modern approach to calligraphy.
The pieces range from classical style to very modern and a few even blend the two. I cannot decide which is my favorite.
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